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The Trial – Only for a few thrills



Release Date : November 24, 2023 Rating : 2.5/5

Starring: Spandana Palli, Yug Ram, Vamsi Kotu and others

Director: Raam Ganni

Producers: Smriti Sagi, Srinivasa Naidu Killada

Music Director: Saravana Vasudevan

Cinematographer: Sai Kumar Daara

Editor: Srikanth Patnaik R



In the bustling city of Hyderabad, Roopa, a dedicated policewoman, faces a devastating moment on her first wedding anniversary when her husband, Ajay, tragically falls from a building, resulting in his untimely demise. Despite her attempts to move forward, Ajay’s family reopens the case, leveling accusations of murder against Roopa.

Rajeev, helming the investigation, delves deep into the intricate layers of the couple’s life, unearthing startling revelations and unexpected twists. As the movie unfolds, it gradually unravels the mysteries surrounding Ajay’s unexpected death, shedding light on the hidden truths that could determine Roopa’s innocence or guilt in this gripping narrative.

Roopa (Spandana Pilli), ek policewoman Hyderabad mein, apne pehle shaadi ka din manate hue ek dil todne wale haadse se guzar jaati hai, jab uske pati Ajay (Yug Ram) bhatak kar ek building se gir jaate hain aur unki maut ho jaati hai. Bhale hi Roopa aage badhti hai, lekin Ajay ki family firse case khol deti hai, Roopa ko khoon ka ilzaam lagate hue. Rajeev (Vamsi Kotu) investigation ka netratv karte hain, jisme woh jode ke zindagi ke hairat-angez raaz khul jaate hain. Kya raaz saamne aate hain? Kya Roopa bewafa hai ya khooni? Movie jaankari deti hai is anjaane maut ke raaz ko, jo haqeeqat ko roshni mein daal deta hai.

Plus Points:

“The Trial” stands out by centering its narrative primarily around interrogation scenes, marking a distinctive feat as the first interrogative movie in Telugu cinema. The meticulous design of these scenes captivates the audience’s attention, offering a unique cinematic experience.

Spandana Palli shines in her portrayal, deserving applause for her immersive performance. Her nuanced acting and enigmatic mannerisms keep viewers guessing about her character’s depth until the very end, effortlessly embodying the role.

Vamsi Kotu delivers a satisfactory performance, while Yug Ram impressively fulfills his character’s requirements despite limited screen time.

The cinematography and music contribute significantly to the film’s richness, elevating its overall quality. With promising revelations in the second half, the movie seems poised to engage audiences further.

Audiences ko movies mein interrogation scenes ki aadat ho sakti hai, lekin The Trial alag hai kyunki yeh isko film ka mukhya tarka banata hai. Yeh Telugu ki pehli interrogative movie ke roop mein tayyar hui hai aur yeh scenes audience ka dhyaan pakadne ke liye banaye gaye hain.

Spandana Palli ko is film ke liye taaliyan banti hain. Unki acting aur adaayein audience ko unke character ke baare mein ant tak sochne par majboor karti hain, aur woh apne role ko aasani se nibha leti hain.

Vamsi Kotu bhi commendable performance dete hain, aur kam screen time ke bawajood, Yug Ram apne character ke zaroorat ko behtar tareeke se pura karte hain.

Cinematography aur music film ko shaandaar banate hain, jo film ki overall quality ko badha dete hain. Dusre half mein aane wale raaz audience ko jode rakhne ki ummeed hai.

Minus Points:

It appears that director Raam Ganni’s intentions are commendable, although there might have been room for improvement in accelerating the first half’s pace for better audience engagement. Additionally, the dialogues shared between Roopa and Rajeev could have been crafted more effectively to heighten the suspense within the storyline.

While Vamsi Kotu delivers an adequate performance, there are instances where his delivery seems interrupted by unnecessary pauses, giving a hint that he might have encountered issues with his lines.

The first half maintains a decent pace until the interrogation phase, which becomes somewhat laborious. However, the director cleverly contains this within the initial half and steers the second half with a well-crafted screenplay.

A more strategic approach to casting might have broadened the film’s appeal, making it more accessible to a wider audience.

Director Raam Ganni ki iraada commendable hai, lekin pehle hisse ki pace ko tezi se badhaya ja sakta tha, taaki audience ka better engagement ho sake. Roopa aur Rajeev ke beech mein hui baatein aur dialogues ko aur bhi effectively likha ja sakta tha, taki kahani mein aur suspense bhar sake. Kotu ka performance thik hai, lekin kuch scenes mein aisa lagta hai ki dialogue ke beech mein unwanted pauses hote hain, jisse lagta hai ki unhe apne lines bhool gaye hain.

Pehla hissa acha hai jab tak interrogation shuru nahi hota. Uske baad, ghatnayein thodi tedious ho jaati hain, lekin director ne isko pehle hisse tak seemit kiya hai aur dusre hisse ko well-crafted screenplay se carry kiya hai.

Ek strategic casting film ko aur bhi uchha karta, jisse yeh audience ke liye accessible hoti.

Technical Aspects:

Raam Ganni showcases acceptable skills both as a writer and director, offering room for more engaging and creatively constructed conversations. However, the screenplay in the initial half could have been refined to elevate “The Trial” into an outstanding viewing experience.

The film greatly benefits from Sai Kumar Dara’s visually rich cinematography and Saravana Vasudevan’s impactful score, both of which significantly enhance the movie’s overall appeal and create a pleasing cinematic experience. A more concise edit in the first half could have amplified the engagement factor, making “The Trial” even more compelling to viewers.

Raam Ganni, ek writer aur director ke roop mein, apna kaam thik se karte hain. Unhone creative aur engaging conversations ko aur bhi jagah di hoti, toh pehla hissa The Trial ko ek excellent viewing experience bana sakta tha.

Movie ko Sai Kumar Dara ki shaandaar cinematography aur Saravana Vasudevan ke music se kafi fayda mila hai. Dono elements ne movie ko ek khushnuma anubhav banane mein madad ki hai. Pehle hisse mein ek aur concise edit engagement factor ko aur bhi badha sakta tha The Trial mein.


Overall, “The Trial” presents itself as an average crime thriller, propelled by a commendable performance from lead actress Spandana Pilli and supported by strong technical elements like cinematography and background score. However, its shortcomings lie in monotonous scenes, a slow-paced initial half, and the absence of a robust central conflict, which serve as the main drawbacks.

The film might resonate more with audiences who have a penchant for crime thrillers, while others might find its appeal somewhat limited due to these noted shortcomings.

Overall, The Trial stands as an average crime thriller with a standout performance from lead actress Spandana Pilli, supported by strong technical aspects like cinematography and background score. However, its monotonous scenes, slow first half, and absence of a strong conflict point serve as its main drawbacks. The movie might resonate more with audiences fond of crime thrillers. Rating: 2.5/5

Reviewed by Team

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